Curating Media/Net/Art:
Theories and Resources — Curating Bibliography
Compiled/linked by Sabine Hochrieser, Michael Kargl, Franz Thalmair
view organisations section
-
Arns, Inke / Lillemose, Jacob (2005): It’s Contemporary Art, Stupid
Art-Place-Technology Symposium (2006): I Organise Stuff therefore I Am
Art-Place-Technology Symposium (2006): Curator is a Title you Earn, not Take
Art-Place-Technology Symposium (2006): The Museum and the Digital Archive
Art-Place-Technology Symposium (2006): Who is Collecting New Media Art?
Ayers, Robert (2007): Code in a Box (about collecting New Media Art)
Baker, Camille (2007): New Media CURATING Hell—part 1
Baker, Camille (2007): New Media Curating pt 2—follow-up
Balkin, Jack M. (2003): Cultural Software: A Theory of Ideology
Bazzichelli, Tatiana (2006): The Networking. The Net as an Artwork
Beck, Amanda (2007): Artists Ponder Future of Digital Mona Lisas
Boxer, Sarah (2005): Web Works That Insist on Your Full Attention
Brogger, Andreas (2001): Creative Computer Science: An Introduction to Johan Brucker-Cohen
Brogger, Andreas (2001): Art in a Culture of Cut-Copy-and-Paste
Brogger, Andreas (2001): Net art, web art, online art, net.art?
Buigues, Ana (2007): Ars Publica—Curatorial Report
Carlson, Wayne (2004): A Historical Timeline of Computer Graphics and Animation
Carlson, Wayne (2004): A Critical History of Computer Graphics and Animation
Cook, Sarah (2002): Net Art, Art Criticism, Curating
Chan, Sebastian / Spadaccini, Jim (2007): Radical Trust: The State of the Museum Blogosphere
Debatty, Régine (2007): Interview with Sarah Cookp
Dietz, Steve (2007): Collecting New Media Art: Just Like Anything Else
Dietz, Steve (1998): Curating (On) the Web
Dietz, Steve (2001): Why have there been no great Net Artists
Dietz, Steve (2002): Ten Dreams of Technology
Draxler, Helmut (2001): The Allegorical Impulse of the Curator, An interview with Fareed Armaly
Dziekan, Vince (2005): Beyond the Museum Walls: Situating Art in Virtual Space
-empyre- archives (2003): net art, curating and power
Gere, Charlie (2006): Network Art and the Networked Gallery
Gere, Charlie (2004): New Media Art and the Gallery in the Digital Age
Gleeson, Regina (2004): Dislocate, Renegotiate and Flow. Part II: The Practice of Process
Gleeson, Regina (2004): Dislocate, Renegotiate and Flow. Part III: The Mercurial Curatorial
Granter, Beth (2006): Essay on Curating New Media
Greene, Rachel (2000): Web Work: A HISTORY OF INTERNET ART
Goriunova, Olga (2007): Internet platforms: cultural production in late capitalism
Harding, Anna (1997): Everything
Harris, Jonathan (2002): Control, Alt, Delete?
Hancock, Mark R. (2005): Curation Mastication Preservation
Hutchinson, Mark / Beech, Dave (2005): On Expertise, Curation & the Possibility of the Public
Ippolito, Jon (1998/1999): The Museum of the Future: A Contradiction in Terms?
Ippolito, Jon (2002): Ten Myths of Internet Art
Jones, Caitlin (2006): Case Study: CRUMB
Kaplan, Steve (2006): The Limits of Pedagogy and the Specter of the Dysfunctional Museum
Klütsch, Christoph (2007): Computer Graphic—Aesthetic Experiments between Two Cultures
Levi Strauss, David (2006): The Bias of the World: Curating After Szeemann & Hopps
Lewis, Peter (2005): On Curating
Lichty, Patrick (2007): The Role of the Later Career New Media Artist
Lichty, Patrick (2002): Reconfiguring the Museum. Electronic Media and Emergent Curatorial Models
MacGregor, Brent (2002): Cybernetic Serendipity Revisited
Makewell, Terry (2007): User-generated exhibitions at museums
Manovich, Lev (2002): Models of Authorship in New Media
Manovich, Lev (2002): Ten Key Texts on Digital Art: 1970-2000
Mollin, David (2005): The Curator, So to Speak, Chooses You
Mutanen, Ulla Maaria (2006): On Museums and Web 2.0
Muir, Gregor (2002): Past, Present and Future Tense
Naimark, Michael (2002): Nonlinear History of New Media
Napier, Mark (2001): The Aesthetics of Programming
Obrist, Hans-Ulrich (1996): Mind Over Matter—Interview with Harald Szeemann
Obrist, Hans-Ulrich (2001): Evolutional Exhibitions
O’Neil, Paul: Curating (2005): Practice Becoming Common Discourse
Paul, Christiane (2002): Collaborative Curatorial Models and Public Curation
Paul, Christiane (2007): Challenges for a Ubiquitous Museum: Presenting and Preserving New Media
Paul, Christiane (2007): MYTHS OF IMMATERIALITY: Curating, Collecting and Archiving Media Art
Paul, Christiane (2002): Renderings of Digital Art
Shalem, Efrat / Toister, Yanai (2005): The Matrix of Curating
Silva, Luís / et al (2005): On blogging as curating
Schlieben, Katharina (2002): Curating Per-Form. Reflections on the Concept of the Performative
Scholz, Trebor (2006): Curating New Media Art I
Scholz, Trebor (2006): Curating New Media Art II
Schulz, Pit (2006): The Producer as Power User
Smith, Finn (2006): Curating Self-Consciously
Stuart, Keith (2007): Yesterday’s Games could be Gold Dust to Collectors
Sutton, Gloria (2004): Exhibiting New Media Art (Part 1 of 2)
Tate Modern (2005): Curating, Immateriality, Systems (conference)
Tribe, Mark / Jana, Reena (2007-present): New Media Art (wiki)
Tribe, Mark (2001): Archiving net.art
Weil, Benjamin (2001): Untitled – A Brief History of äda’web
Weil, Benjamin (2001): Readme.txt – An Exploration of Various Directions in Networked Art Projects
Weil, Benjamin (2002): Art in Digital Times: From Technology to Instrument
Williams, Alena (2002): Net Art and Process. Some Thoughts on Curatorial Practice
Winkelmann, Jan (2001): Failure as a poetic dimension. A conversation with Harald Szeemann
-