<?xml version="1.0" encoding="iso-8859-1"?><rss version="2.0">  <channel>  <title>CONT3XT.NET.NEWS</title>  <link>http://cont3xt.net/</link>  <description>ARTWORK/LINK OF THE MOMENT</description>  <lastBuildDate>Fri, 04 Jan 2008 12:30:00 +0100</lastBuildDate>  <language>en-us</language>

  <item>
	<title>CALLING FOR:TAGALLERY</title>
	<link>http://tagallery.cont3xt.net/?p=35</link>
	<guid>http://tagallery.cont3xt.net/?p=35</guid>
	<pubDate>Mon, 14 Jul 2008 20:00:00 +0100</pubDate>
	<description>
	<![CDATA[Since January 2007 TAGallery asks “What if a link turns into
	the representative of the artefact, the context and the exhibition at once?”.
	Until now - July 2008 - there are 500 different answers, represented by 438
	artists, 473 artworks, 483 tags, a dozen of curators and still 999 exhibitons
	to come. Finally it is time to open the folksonomic experiment for public
	participation. From July 15 to September 15 netizens are invited to contribute
	link-collections, to re-contextualise the existing material and/or to experiment
	with tagging as a curatorial practice within the framework of TAGallery.]]>
	</description>
	</item>

      <item>	<title> #007 MARIUS WATZ / A Form of Technological Mimesis</title>	<link>http://cont3xt.net/re/magazine.php</link>	<guid>http://cont3xt.net/re/magazine.php</guid>	<pubDate>Sun, 01 Jun 2008 10:00:00 +0100</pubDate>	<description>	<![CDATA[AN E-MAIL CONVERSATION WITH MARIUS WATZ | Colourful explosions	 of organic forms, visual structures that can only be percieved 	 when the spectator allows herself to enter the flow of contemplative 	 effects one has got viewing the artworks: generative practices have 	 first been developed at the intersection of scientific and artistic 	 settings to research visual patterns and form. Issue #007 of Re: MAGAZINE 	 deals with nowadays generative systems which are used by artists, 	 as well as in Design, Architecture and the culture of everyday life. 	 Marius Watz, an artist concerned with generative systems for creating 	 visual form, still, animated, or realtime, argues in the following 	 interview: "One of the privileges of Generative Art is that the 	 author can easily be surprised by her own creation."]]>	</description>	</item>          <item>	<title>PHYSICAL EXHIBITION: YOU OWN ME NOW UNTIL YOU FORGET ABOUT ME.</title>	<link>http://www.youownmenow.net</link>	<guid>http://www.youownmenow.net</guid>	<pubDate>Thu, 08 May 2008 08:25:00 +0100</pubDate>	<description>	<![CDATA[Speech and the faculty of meta-reflection about one's language 	are inherent characteristics of human beings. Since the beginning 	of the 20th century, language - written, spoken, or performed - has become 	more and more part of the Visual Arts in form of various artistic practices 	and theoretical approaches and has finally turned into one of the 	constitutive elements and source code of Digital Arts. All projects 	shown in the exhibition YOU OWN ME NOW UNTIL YOU FORGET ABOUT ME. are 	originally Internet-based artworks. The main common ground is their 	starting point in the exploration of our language with its arbitrary 	systems and rules, its corresponding functions within society, as well 	as with its absurdities and restrictions for the individual. 	Open processes are inherent to digital artworks, within their 	production as well as within mnemonic activities emerging during 	their reception. Rather than to focus on the isolated - 	literary/literally - artwork, the exhibition highlights more general 	artistic tendencies leading once again to a discursive process, 	which originates from the Internet and finds its way back 	to the virtualities of our real life. (Opening: 15 May 2008 / Duration: 	16 May - 22 June 2008 / Hosting institution: Moderna galerija / 	Musueum of Modern Art Ljubljana, Slovenia / Curated by: 	Franz Thalmair / Birgit Rinagl for CONT3XT.NET / Artists:  	Mary-Anne Breeze (mez), Codemanipulator(R), Christina Goestl 	(clitoressa.net), Karl Heinz Jeron and Valie Djordjevic, 	carlos katastrofsky, Joerg Piringer, Marek Walczak and 	Martin Wattenberg]]>	</description>	</item>		      <item>	<title>TAGALLERY 019: IS/ISNOT: GLOCAL UTTERANCE-ISMS</title>	<link>http://del.icio.us/TAGallery/EXHIBITION_is.isnot</link>	<guid>http://del.icio.us/TAGallery/EXHIBITION_is.isnot</guid>	<pubDate>Thu, 10 Apr 2008 08:25:00 +0100</pubDate>	<description>	<![CDATA[A manifesto is a communication made to the whole world, 	whose only pretension is to the discovery of an instant cure for	political, astronomical, artistic, parliamentary, agronomical	and literery syphilis.]]>	</description>	</item>    <item>	<title>TAGALLERY CONTEXTS / NEW ADDRESS AND FEED</title>	<link>http://tagallery.cont3xt.net/</link>	<guid>http://tagallery.cont3xt.net/</guid>	<pubDate>Sat, 02 Apr 2008 08:25:00 +0100</pubDate>	<description>	<![CDATA[The text-section of TAGALLERY has got a new address	and feed: TAGALLERY is an experimental online exhibition 	space extending the idea of a 'tagged exhibition' and transferring 	the main tasks of non-commercial exhibition spaces to 	the discourse of an electronic data-space.]]>	</description>	</item>            <item>	<title>A FAKE IS A FAKE. ANYWAY/LES LIENS INVISIBLES</title>	<link>http://fake.isafake.org/</link>	<guid>http://fake.isafake.org/</guid>	<pubDate>Sat, 20 Mar 2008 08:25:00 +0100</pubDate>	<description>	<![CDATA[Rising directly from the ashes of the blogosphere, 	the imaginary group Les Liens Invisibles is proud to present 	A Fake is a Fake, the ultimate platform dedicated to fake 	publishing, that will finally render your communication 	strong, incisive, and paradoxical. Thrust your voice beyond 	the limits of reality and explore the new frontiers of 	detourning communication: you can finally speak 	with the voice of Power.]]>	</description>	</item>          <item>	<title>WHAT A FUCKING DUMB ASS IDEA/CARLOS KATASTROFSKY</title>	<link>http://www.vooruit.be/en/productions/1385</link>	<guid>http://www.vooruit.be/en/productions/1385</guid>	<pubDate>Sat, 08 Mar 2008 08:25:00 +0100</pubDate>	<description>	<![CDATA[Fricties Salon, a series of talks on netart held during 	the festival "the game is up!" will provide a stage for 	the talk "what a fucking dumb ass idea" by carlos katastrofsky.	The artist will present two new works during the presentation: 	VALUE, specially manufactured for the festival's vending 	machine park and OPUS MAGNUM, a new net art work. 	More information to come...]]>	</description>	</item>          <item>	<title>PUBLICCURATING/CONT3XT.NET</title>	<link>http://publiccurating.cont3xt.net</link>	<guid>http://publiccurating.cont3xt.net</guid>	<pubDate>Wed, 30 Jan 2008 08:32:00 +0100</pubDate>	<description>	<![CDATA[PUBLICCURATING is an ongoing research-project 	by the Vienna-based organisation CONT3XT.NET collecting 	methods, resources, and theories concerning the 	curation of (New) Media, Internet-based, and Video Art.]]>	</description>	</item>      <item>	<title>LA MANO IZQUIERDA/OLIVER LARIC</title>	<link>http://www.oliverlaric.com/manoizquierda.htm</link>	<guid>http://www.oliverlaric.com/manoizquierda.htm</guid>	<pubDate>Sat, 19 Jan 2008 08:32:00 +0100</pubDate>	<description>	<![CDATA[A video by Oliver Laric following 	Hugo Chávez's left hand (la mano izqierda in 	Spanish) while directing one of his speeches 	about the "new socialist idea" to the audience. 	Always at the centre of the video the left hand 	gets to be a symbol for the irony of political 	symbols in general.]]>	</description>	</item>      <item>	<title>RICH.TXT/_____fratha__</title>	<link>http://rtxt.blogspot.com/</link>	<guid>http://rtxt.blogspot.com/</guid>	<pubDate>Sun, 16 Nan 2008 08:32:00 +0100</pubDate>	<description>	<![CDATA[The weblog RICH.TXT was run from January 	2006 to January 2008. Its aim was to broach the 	issues of the linguistic and literary category "text" 	and its characteristics on the Internet. The 	resource is now useable as an archive.]]>	</description>	</item>      <item>	<title>TRANSIENT/Anders Weberg</title>	<link>http://www.p2p-art.com/</link>	<guid>http://www.p2p-art.com/</guid>	<pubDate>Sun, 09 Nov 2007 10:00:00 +0100</pubDate>	<description>	<![CDATA[A 45 minutes experimental non-linear film made 	forand only available onpeer to peer networks. 	The original artwork is first shared by the artist until 	one other user has downloaded it. After that the 	artwork will only be available for as long as other 	users share it: There's no original]]>	</description>	</item>  </channel></rss>
